文章分析了东京工业大学藏前会馆设计以及坂本一成的建筑设计方法论。与标榜"简明性"的当代建筑中追随形式感的潮流不同,坂本的建筑形式给人以"晦涩"的非明晰印象。当这种"晦涩"被置于一个更大的社会秩序下、从"日常性"支配的人类生存世界的层面来看时,其丰富性是显而易见的。
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